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Writing Your Self is a comprehensive resource for anyone who wants to explore personal material in their writing. It examines how many writers use personal subject matter in memoirs, poems, journals and novels.
Part One focuses on universal experiences including childhood, identity, adult relationships and loss as well as more specific issues such as displacement and disability, physical and mental illness and abuse. Throughout the book writers, including the authors, give frank, firsthand accounts of their own experiences and how they have tackled writing about them.
Part Two begins with a series of techniques for approaching personal material which include practical exercises and examples. It also considers the differences between raw and finished writing and the validity of each and offers ideas for developing work.
With its wide range of writers and the exciting possibilities it offers, Writing Your Self is a definitive book for exploring personal literature and life writing.
- Sales Rank: #3633948 in Books
- Published on: 2010-01-07
- Released on: 2010-01-07
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .80" w x 6.25" l, .80 pounds
- Binding: Paperback
- 270 pages
Review
"The connection the arts have with suffering brings into question nothing less than their relevance to the human condition itself. The field of writing in and out of distress has developed exponentially, in the UK, over the last twenty years, and so has its bookshelf. But there's always more to be said on this important topic, and Killick and Schneider's approach, which is primarily personal, will doubtless appeal to many."
- Fiona Sampson, Poet and Editor of Poetry Review
"Throughout history, communities and individuals have renewed and preserved their sense of identity and shared riches by telling stories. To tell any story is a spiritual act: to tell our own stories is both liberation and challenge and, at crucial points in our passage through life, words can either magnify or diminish the soul. Our lives are as rich and as rewarding as the stories we tell ourselves and Writing Your Self is a valuable guide to making those stories as adventurous and as generous as we have it in us to be, both for our own sakes, and for the sake of the larger community of souls."
- John Burnside, Poet and Reader in Creative Writing, University of St Andrews, UK
"Myra Schneider and John Killick have written an engaging book about personal writing which will stimulate readers whatever their level of experience. Examples have been carefully chosen from both well-known practitioners and writers experimenting with words for the first time. Writing Your Self will introduce readers to speculative and reflective approaches to writing and reading. It should expand thinking about the possibilities and challenges of writing, e.g. aesthetic, cultural and political within one's own experience. The book will appeal to facilitators of creative writing groups and people wanting a guide for their personal use."
- Wendy French, Educational Consultant, Ex-chair of Lapidus
"Writing Your Self" is the ideal resource if you want to explore personal material in your writing" Writing Magazine
"The interconnectedness of the subjects and the reoccurence of the same writers in different chapters gives a cohesiveness to what might have seemed a rather atomistic approach to literary material. The inclusion of a brief but pertinent bibliography by chapter will be helpful for anyone teaching or leading groups in any kind of personal writing. ... Writing Your Self will be a useful reference for teachers and facilitators and I highly recommend it." Victoria Field, Writing in Education
'This is an inspirational book, one to add to your toolkit if you are involved in anyway with creative words for health and wellbeing.' (Lapidus Journal)
"Myra Schneider and John Killick have written an engaging book about personal writing which will stimulate readers whatever their level of experience. Examples have been carefully chosen from both well-known practitioners and writers experimenting with words for the first time. Writing Your Self will introduce readers to speculative and reflective approaches to writing and reading. It should expand thinking about the possibilities and challenges of writing, e.g. aesthetic, cultural and political within one’s own experience. The book will appeal to facilitators of creative writing groups and people wanting a guide for their personal use."
- Wendy French, Educational Consultant, Ex-chair of Lapidus
'This is an inspirational book, one to add to your toolkit if you are involved in anyway with creative words for health and wellbeing.’ (Sanford Lakoff)
About the Author
Myra Schneider is a poet and tutor for The Poetry School in London, UK. She is author of Writing My Way Through Cancer (Jessica Kingsley, 2003) and Writing for Self-Discovery (with John Killick, Element Books, 1998). John Killick has been a teacher and education officer in prisons and more recently has worked with people with dementia. He is a poet and literary journalist.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Useful and Moving Book
By Lance Lee
Anyone who has ever found themselves pent up with feelings they could not express should turn to this superb book for help. You may never want to become a writer, just find a way to express, explore, contain, and master your own unresolved experiences, or you may have professional aspirations. This book responds with equal force and usefulness to whatever level of writing sophistication and ambition you bring to it in your own search for expression and relief. That is a very considerable achievement in itself, and alone places this work head and shoulders above its competition. The varied backgrounds of both authors in different areas of teaching, creative work and achievement, and their shared interest in therapy and therapeutic writing, makes possible the unusual range of Writing Your Self.
A key element of the authors' approach are firsthand accounts by Killick and Schneider of bringing difficult material to light and giving it shape, which set the book's direction and show their approach to its subject matter and material. These are enhanced by 21 additional immediate and striking firsthand contributions by others written for this book.
Part I examines the ways many writers, whether famous or modest, like some of the prisoners Killick has worked with, have released their experiences into written self-explorations; Part II reviews a series of well-honed, thought out, and illustrated techniques that move from the simple task of getting in touch with one's feelings to shaping those ultimately, if so moved, into works of art, whether poetry, short or long fiction, or auto-biography. Quoted material from a variety of authors like Elizabeth Bishop or Janet Frame illustrate the immediate subject and add to the firsthand accounts. All major areas of the English speaking world are represented, making the book as relevant and practical in America as in England or in Australia half a world away.
This is also an unexpectedly moving book. As Part I moves from the troubled issues of childhood to old age it evokes the feeling of encountering a single Everyman/woman struggling with the difficulties of the human condition. The last chapter on spirituality in Part I reinforces this sense by dealing with issues that move beyond exploring the self to the wider reality in which we live and find or create answers to the great mysteries of life.
I don't know of any other work that combines these qualities with such success.
Part I starts with childhood, and moves on to: identity, adult relationships, abuse, displacement and disability, illness, mental illness, caring and coping, loss, facing death, and spirituality. In Childhood Maya Angelou's autobiography makes the point writing provides a way to release and shape our need to speak; Mark Doty asks in Identity how "making sustains", for his ability to be a writer and explore his sexual identity in his memoir saved his life; in Illness, Oliver Sacks intuits our living flesh is "solid music" as he explores how he came back to life after an injury, while Miriam Hastings contributes a firsthand account in Mental Illness that points out the simple act of creation is therapeutic in itself. An underlying, profound thought throughout the book is how being able to respond creatively to experience helps makes us well. In the same chapter Clare Shaw in another striking firsthand account speaks of writing so she can know who she is, and that writing of a painful experience gives her control over it for that time. Words are the mirror we hold up to ourselves Penelope Shuttle asserts writing of personal loss, in Loss; in the same section Jocelyn Hurndall reaches a revelation through writing about the death of her son that "What will survive us is love", and is finally able to come to terms with her grief. Barbara Feldt, in Facing Death finds as she wrestles with mortality that "I am pregnant with words": creation, and love, are our deepest responses to death's threat. Mary Macrae's firsthand account in Spirituality explores how poetry allowed her to give voice to the spiritual; Sidney Poitier uses his memoir in part to ask why we are here and why there is anything at all-- and adds that "...when I let the self go ... I ... begin to realize how fully part of this grand scheme I am."
Part II explores techniques to get in touch with your immediate experience, and how to tap your unconscious so you can draw on your mind's fullness. Flow-writing is a particularly useful technique explored here, writing freely on a defined subject or memory or image. Subsequent sections explore the use of memory, how to express feelings in numbers of short but useful ways, then move on to issues of fictionalizing experience to make the otherwise too painful, accessible. The use of dreams and drawings (visualizations) as starting points are explored in turn. The authors explore keeping a journal, how to shape our initial raw, released material into coherent works, and the need, finally, to structure and persevere in the creation of work increasingly long or complex or both. Each element is accompanied by a variety of exercises to help a writer begin.
The authors conclude reminding us they have not tried to explore the nature of selfhood, only the ways many writers of varying qualities and ambitions have sought to explore and express their own. They add that creating the finished work is a process where structure and sense emerge slowly as our creativity finds and expresses itself. The end result allows writers to "transform their personal into the universal"; success in `writing your self' leads us past the self into the wider world we all seek to explore, enjoy, endure, and share with those we love.
Killick and Schneider deserve a wide audience for this work that illumines how we create those stories that heal and bind individuals and communities.
0 of 0 people found the following review helpful.
A thoughtful resource for many writers
By Midwest Book Review
A little piece of you is in everything you write, so you may as well relish it. "Writing Yourself: Transforming Personal Material" is a guide and discussion to transforming one's own personal writing into useful subject matter for multiple uses to the more obvious application of memoir to the more creative applications in mediums such as poetry and novels. "Writing Yourself" is filled with creative ideas and thoughts, making for a thoughtful resource for many writers.
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