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Mercury Fur (Modern Plays), by Philip Ridley
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Challenging new play by the enfant terrible of dark, disturbing drama
Elliot is panicking. The party that he and his brother Darren have been planning has been brought forward - to tonight.
In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence.
The world is at its worst?let the party begin.
Mercury Fur is a challenging new work containing some explicit scenes that may cause offence.
Published to tie-in with the play's premier at the Drum Theatre, Plymouth and The Chololate Factory, London in February 2005, produced by Paines Plough.
"Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" Time Out
- Sales Rank: #791533 in Books
- Published on: 2005-02-10
- Released on: 2005-02-10
- Original language: English
- Number of items: 1
- Dimensions: 7.81" h x .33" w x 5.06" l, .26 pounds
- Binding: Paperback
- 112 pages
Review
'Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years' Time Out
About the Author
Philip Ridley was born in the East End of London and studied Fine Art at St Martin's School of Art. As a writer his credits include nine children's novels which have brought him a string of awards. His stage plays are The Pitchfork Disney (1991), The Fastest Clock in the Universe (1992), which won t he Meyer-Whitworth Prize, a Time Out Award, and both the Critics' Circle and the Evening Standard Theatre Awards for Most Promising Playwright, Ghost from a Perfect Place (1994), Vincent River (2000), Krindlekrax (premiered by the Birmingham Rep in June 2002) and three plays for young people: Fairytaleheart, Sparkleshark and Brokenville, which received a Fringe First nomination at the Edinburgh Festival. He has enjoyed considerable success as both a writer and director of films: the cult classic The Reflecting Skin (1990) won eleven international awards. His work has been translated into seventeen languages.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Beware--this published edition has missing pages
By Amazon Customer
I have tried buying two copies of this play as published by Methuan Drama and both copies were incomplete...the pages just ended with the play clearly not over, plus it did not contain poems by Mr. Ridley as stated on the Title Page and in the description. This is the publisher's fault, not Amazon's and they will refund my money. But I would avoid purchasing this edition unless you know for sure they've solved the issue or have new, complete copies.
2 of 2 people found the following review helpful.
Disturbing Drama
By Renee
This play was exceedingly disturbing and enthralling. Although I couldn't put the script down, I still read it with my face half-turned away. Some of the dialogue is quite graphic as it recounts the bloody and gruesome barbarity of a post-apocalyptic London and how a group of teenagers "survive" in this new world. In such a dreary atmosphere, you'd think this play would have little to no "happy" portions, but some characters provide perfectly timed comedic relief. However, this comedy then feels out of place and the fact that it IS funny makes a reader/viewer feel displaced and guilty for their comfortable situation outside the play. Aside from what is tragic and what is funny (and when), this play brings questions of family and society forward into a spotlight so bright that it's difficult not to consider the ramifications of our current societal constructs if they remain unaltered. If you're looking for a play that will make you think for days after you've read it, then this is a good choice. If you are faint of heart though, you may consider steering clear of this gruesome tale.
1 of 1 people found the following review helpful.
Made me feel nauseous
By Christina Hooper
I bought this for a class and was disturbed by it's horrific content. While it's nicely written, it just gives you a gross feeling about humankind. The entire class also felt....'nauseous' by the story line. A lot to learn, but I rather wish I had not read it.
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